But one misses the deadpan and subtlety of those actors’ faces. For instance, Goldblum’s Edwin makes a delightfully weird villain, a niche in which he’s obviously quite comfortable. The notion of a cast with Baldwin, Sedaris and Goldblum certainly sounds promising, but putting voices already that expressive in the excessively animated mouths of “Boss Baby’s” characters feels a bit much. Kids will likely love those two.įor grownups, there may be a few obstacles to enjoyment, starting with the oppressive use of score, blaring at viewers to “Have fun, have fun damn it!” at many a turn. Creepy Girl looks designed for a “Hotel Transylvania” movie but was summoned by the wrong Ouija board. Precious, a surly pony with a glamorous mane, and a classmate identified only as “Creepy Girl” steal just about every scene they’re in. Younger kids may be sufficiently distracted by the slapstick and a few new memorable characters. Edwin Armstrong ( Jeff Goldblum), may be up to no good.įrom there, the story and emotional beats pretty much fall into place as dusty old grownups would expect. she must reunite the brothers and turn them back into their younger selves to infiltrate Tabitha’s school. Tina declares that in order to fulfill her mission from Baby Corp. Grown Tim and Ted have become estranged despite the closeness established in their first adventure. For the uninitiated, that means Tina, as Tim’s brother Ted ( Alec Baldwin) did as an infant, has adult intelligence and speaking ability due to a “Secret Baby Formula” from Baby Corp. Tim’s an energetic, imaginative stay-at-home dad raising too-serious Tabitha (Ariana Greenblatt, so good in “ Awake”) and infant Tina ( Amy Sedaris), whom we learned at the end of the first film is a Boss Baby. “ The Boss Baby: Family Business” picks up with the first movie’s narrator, Tim, now grown up (voiced by James Marsden) and married to a high-achieving Carol ( Eva Longoria). The new entry in the animated “Boss Baby” franchise feels like an example of growth, while crawling on a treadmill.

We will continue to note the various ways readers can see each new film, including drive-in theaters in the Southland and VOD/streaming options when available. Because moviegoing carries inherent risks during this time, we remind readers to follow health and safety guidelines as outlined by the CDC and local health officials. The Los Angeles Times is committed to reviewing new theatrical film releases during the COVID-19 pandemic.

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